My Photography

"Divided society"
On a scale of one to five; I rate this particular Chalkwell sea-front image a three. It's a 16x9, of course, designed for a 24 x 13 inch wall-frame at 240ppi. There is a black, and a white - to produce a full range of tones - and the colours have been reproduced perfectly in the 5800 x 3200 pixel space contained in the image. (I first shot a colour control patch to calibrate my RAW workflow).

(For the photographers among you: it is a four-exposure pan-burst captured on a handheld Nikon P7000).

It gets a three because the composition is slightly off. The two right-hand figures need moving slightly to the left, and slightly upwards - so that the beachcomber's eyes align precisely with the two signs on the foreground's brick walls. Those sign's wording cannot be seen at this resolution; but they each say, 'WARNING: Anti-climb paint,' which, together with the beachcomber's body language and apparel; the fence separating her from the expensive apartments on the left; and the horizon that they dominate, convey the image's subliminal context.

The 'Left' and 'Right' (political) arrangement, together with the 'Threatening' and 'Promising' distribution of the clouds were a bonus.

It was taken while we were all waiting for the full results of the UK's EU Referendum, and forms part of a series of shots that presented themselves as I mused upon the topic.

I'm tempted to rearrange those two figures in Photoshop; but it wouldn't be true to the street-photography genre that it emulates.

The image was produced as part of a simple exercise that many photojournalists undertake on a regular basis to hone that precious skill of being able to present the world in all its intricate contexts, whilst not interfering with what they record. The trick is to absorb the atmosphere, observe, listen, and pay attention - without introducing your personal presence or prejudices into what you frame.

Most times you have to identify the correct stationary elements - and then wait...

The results are not always perfect; but photojournalism records reality - it is not manipulative art. (Purists may cry 'foul', pointing to the panoramic technique employed to produce the above image; but Cartier-Bresson would have to laugh - as do I, given the same purists' silence over video).

If you like high-quality images, like this, then you might like to consider subscribing to this blog. I aim to publish more in future - which you can have printed-up as a gift, or to adorn your home or office - for free.

If you choose to follow me on Twitter, you can also preview new additions to this particular gallery that I will tweet from time to time. (They are of a lower quality, because of the restrictions imposed by that platform; but you are unlikely to see the difference on your monitor).

I am retaining full copyright to the published images, but granting the right for anyone to download, print, and sell each one from the gallery for a profit (perhaps at the local bootfair if they wish). There are no catches or restrictions (other than insisting that you do not pass the images off as your own).

You are free to download, print, and sell as many images as you like (at whatever price you determine) and you need not credit me in any way. You can, however, make a small contribution to my retirement income, at: https://www.paypal.me/tedpugh - so that I can produce others for you to sell.

If you are not following me on Twitter, here are some that you may have missed: -

"Evening tide"
"Morse Code"
"Reluctant shadow"
"Brown shoes"
"Fighting metal"
"Crowded-out"
"Cardboard salute"
"Distant seagull"
Apart from the one 5x7 in that series, the others are 16x9s - mainly because I target that latter format for exhibition shots. However, if a customer is looking for a print to decorate their office or domestic wall, a 16x9 or 5x7 may not be the ideal choice. Furthermore, it seems that many low-cost online print houses do not support the 16x9 format. For those reasons I am also providing the full-frame, non-vignetted versions via the same gallery link, under the same conditions, so that my downloaders can also accomodate other frame sizes/proportions to address those houses and complement the actual space for which the image is being purchased.

The link to the gallery will never change, but each image will only remain there for 48 hours. After that time, it will be removed and not offered for download again. In that way, the number of possible reproductions will be limited.

If you missed the gallery's link on Twitter: contact me via DM or email and I will send it to you.

Please note: I am NOT providing the right to copy or distribute any of the gallery's images in digital form. (Although everyone is free to redistribute the low resolution digital versions I provide on Twitter, which may only be printed for non-commercial personal use).

May your bank balances always be in the black...

Happy selling!