Saturday, 17 February 2018

666 Explained and Revelation Unveiled

SO, THERE IT IS. A complete explanation of the Ancient Druid Science that forms the basis of Judeo-Christianity, and the way in which the Romans purposely corrupted its teachings by banning the language in which they were written; ruthlessly persecuting those who taught them; and slyly reinterpreting the ancient knowledge to form a perverted religion in the shape of the Roman Catholic Church.

It's all there.

The Truth will eventually out.

I've written many articles during my lifetime, conducted many investigations and dutifully illustrated most with my camera. Back in the day, I also wrote a book explaining how to parse user-input in real-time; implement multiple threads; and provide independent software windows by hacking the program's stack. (C User-Interface Library, from Sigma Press, was published the same month that Microsoft launched its first Windows Operating System - and soon went out-of-print). I am cursed with an all-consuming curiosity that leaves me excessively bored once it has been satisfied, and the main reason that Blood and the Holy Grail weighs 2lb 4ozs and runs to 692 pages of Times Roman 12-point is that I have no intention of writing a follow-up. (It would be pointless and not add to The Record in any meaningful way).

Blood and the Holy Grail is certainly the longest piece I have ever written, and it is the first time I have ever adopted the novelist style to tell a story. I was minded of the obstacles that A.E.Waite had encountered when publishing his criticisms of Catholicism and his Tarot, of course, and chose to conduct a similar strategy to ensure its eventual publication. I reasoned that a novel would be the best way of holding the reader's attention during the course of presenting numerous connected facts, and also provide a memory-map for those wishing to investigate further that which I initially chose to publish. It was constructed to entertain, just like any other novel, but it was also designed to leave the reader wondering if it contained any fiction at all.

I published the first version as an e-book, via Smashwords in the US, after carefully floating free PDF versions on the Dark Web and the Surface. There was no Book Two, detailing the Revelation corruptions, because I had not conducted that exercise at the time. My main aim was to encourage other sources, with knowledge of the subject, to contact me 'under the radar,' and, as with all serious investigations, gaining their trust, confirming their information and verifying its validity took time.

So many offered pieces of the jigsaw; but none were willing to provide everything that they knew. It was not until I completed the Revelation exercise and placed the draft of Book Two on my Cloud Space for their examination that they finally relented and the full-version was born.

I revised the Smashwords version to include Book Two and finally placed it in the Religion/Theology category for which it had been destined all along. Then I set about producing the final version, carefully reviewing all that I had written, in light of the detailed knowledge that I had been made privy to, and making sure that everything was there.

It is, by any measure, a remarkable story that easily slots into the International Crime category, as well as its intended section. Had it not been for Book Two, that would most likely have been its resting place. And, no: I do not regret adding those fictional events in Book One that some have said detract from a serious investigative study. Without them, no reader is going to spend their valuable time wading through a lengthy series of historical facts and arcane symbolism to arrive at Revelation and what it actually contains. Those few fictional events that I have added serve to lubricate the otherwise dry content of the narrative to hold the reader's interest and keep the pages turning. Writing is a craft in which the primary objective is to have the reader consider every word - and style is the means by which that objective is accomplished. What would you have me do? Write a dry academic treatise for which its only audience would be a smattering of Greek scholars; modern Philosophers; Vicars and Catholic Priests?

I don't think so, and there it is.

So, my curiosity has finally been satisfied - and I thank all those who contributed and patiently waited while I fed it. Now I have returned to being utterly bored, so it's time to pack my bags, fuel-up the roadster, and take that long vacation which Blood and the Holy Grail interrupted. (And I'll try not to forget a Pay-As-You-Go mobile this time)..

Thursday, 2 November 2017

Blood and the Holy Grail

YES, THERE IS A HOLY GRAIL, and it is the key to life that the Vatican has suppressed for over 2,000 years. It is the key to life that our Druid ancestors employed to create a disease-free society and beautiful, healthy, intelligent children by studying Creation’s Womb.

Yes, there is a Holy Grail, and it is the Cup of Life - providing humanity with the means to prophesy its future, and heal itself of all conflict and disease. It is the Holy Language of Creation, comprising the Names and Numbers of God in which the Attic Scriptures were written, and which were then corrupted and perverted by the Romans to form the basis of their Catholic creed.

Yes, there is a Holy Grail, and its main components were first published by the Christian Mystic, Arthur Edward Waite, as a fully illustrated Tarot Deck in 1909.

This is the book that the Pope and his inner circle of Catholic Globalists do not want you to read. It tells the true story of Christianity and how its followers were persecuted by the Roman Empire - and how the Roman State then set about perverting their teachings to create a diverse religion through which to establish a permanent world order through organised religious zealotry and fear. It reveals the truth about Christianity and the ancient Druid Science that forms the basis of the Jewish Scriptures; and, for the first time in over 2,000 years, provides full details of the Real Holy Grail that the Catholic Church has ruthlessly employed to manipulate Creation's forces for their own material ends.

Friday, 6 October 2017

Truth! Revelation Restored

I PRESENT THIS RESTORATION for the benefit of those teaching the Revelation Scripture and Bible reading skills. A detailed chart can be constructed by following the author's instructions, and the imagery fully understood by reading in the Names and Numbers of God. (I have preserved the original Semitic Greek in the three instances it is required).

The author makes considerable use of the limb, senses, and organ correpondances of the Sepher Yetzirah - so, it is an excellent exercise.

The Scripture remains remarkably intact (although it had been sliced and diced, and the two conceptions removed by its perverters).

The Vatican dates their 'original' to 30CE; but it may be earlier. (Those attempting to date the planetary positions should begin with 3BC - when the name Patmos was first given to the island where the author's community was obviously based). The perversions were probably inserted around 330CE, when the earlier Attic texts were translated into the Koine dialect.

Many thanks to those who contributed to restoring my rusty Koine...

Friday, 16 June 2017

Winter's Tale

Winter's Broken Seal
AS NOTED IN CHAPTER 34, each Seal (or pillar) illustrates the forces that conspire to produce a specific season. In each arrangement, the twelve Houses are arranged in three sets of four - corresponding to the Element that they share - and, in each set, opposite Houses each share a diagonal.

In each Seal, the central set is composed of Air (energised by the Sun); whilst the upper set of the female seasons consist of Fire (fuelled by Jupiter) - and the male seasons are headed by Water (driven by Saturn).

As explained in my book, each Seal's stability derives from its bottom element, which is slowly strengthened as the season develops through the establishing Minor Cards

For the benefit of those readers whom have not quite grasped the Seals' significance, I will now use Winter (for obvious reasons) as an example to illustrate how they are read...

Winter's freeze, contained in the Ace of Pentacles, establishes itself through the actions of the narcissistic Fool and the divisive Devil, who seek to impose their will; but they are opposed by Venus and Mercury that, although weakened by the powers of Darkness, are still able to draw forth Knaves of Wands and Cups to bring about an eventual thaw. However, Darkness is assisted by Pentacle's confusion - made possible by freezing the rapid response of Air - and it is that central component that provides Winter with the means to ruthlessly impose itself through the Hanged Man and the Tower - scorning the World; sickening that which was valued; and draining the Light's Strength until it is finally discarded.

The conditions are then ripe for the Moon and Mars to draw what remains of Light and warmth from the Emperor and the High Priestess until they are eventually frozen; and the Queen of Pentacles and King of Swords are fully established as rulers of Winter's icy, Dark season.

The Emperor is finally humiliated by the Lovers; the High Priestess is corrupted by Justice - and both are finally abandoned - leaving only the surviving Knights of Wands, and Pages of Cups, to preserve the Light necessary to return Woman's Summer - divided and lowered.

Each Seal, reading top to bottom, is divided into the three sets of Elements illustrating: resistance, acquiescence, and conquest - and what they all teach us is that each season is inevitable, should we choose to give it birth.
'Our ancestors would not have welcomed all Venusian gifts so readily.'